Category Archives: Events

Festa mayor parade winds through village of Sant Pere de Ribes, Catalonia

Building Resilience through Connection

In Buddhist circles, January is traditionally a month for retreat. It is the time of the monsoon, when the nomadic life of Gautama and his disciples was hampered by the rains. Instead of their usual pattern of roaming and teaching, they stayed in one place, waiting out the weather until the spring allowed them to once more take their message to the villages. With Husband away for 10 days visiting family, I decide to engage in a self-retreat, committing to stay in one place, more or less, until his return. It’s a way of connecting deeply to myself, but I’ve also been thinking that it’s a way of building resilience.

At the beginning of my retreat I impose boundaries, choosing the lines I draw between ‘normal’ and ‘retreat’ life, making an intention to limit those habits which I know take me away from my present state of being. I decide, above all, to limit my use of media. For me, there is no better tool for producing a sense of FOMO – or missing out on something, than trolling through Facebook! In addition to this, I commit to a daily practice of those things which enhance my sense of being present. Yoga and a daily walk – to bring me into my body. Meditation, to quiet and centre my mind. I add in a writing practice, to exercise creativity and ground my energy, but I promise myself that I will not expect productivity, which helps me approach it in a relaxed way.

The retreat begins as usual, with me  feeling very tired. It’s as though in the very act of turning my attention inward, I come face to face the effort of daily life. I sleep more in the first day and on the second, I really enjoy the stillness and softness of a warm home and little activity. On the third, my energy starts to rise and I feel surges of spontaneous joy. My walk takes me through the local village, which is celebrating the Festa Mayor of Sant Pau. What strikes me now about these festivities is how they manage to include the whole community. How everyone takes such pride in their role. An hour before the parade begins, I see people dressed in traditional costume walking purposefully through the village. Their white shirts and pants are immaculate, contrasting impressively with the bright red and blue of their shoes, belts, cravats and headscarfs. Small bells attached to their ankles jingle excitedly as they walk. There is a sense of anticipation in the air.

bona festa mayor
Festa Mayor Sant Pere de Ribes

In Catalonia, no festival is complete without a correfoc, a ‘fire run’, evolved from mediaeval street theatre. Bands of young people dressed in painted hessian cloaks hold aloft fireworks which rain sparks onto the crowds lining the street. Their hoods are adorned with bright red horns, their clothing painted with images of demons and fire. It’s not hard to work out the symbology. This is an ancient standoff between good and evil. These devils are followed by dancers, clearly from the same origins as Morris and Ceilidh dancers, leaping and jumping and swinging each other around, or bashing sticks one against another with a force that suggests the moves, like the katas in karate, mimic combat. Each crew of ‘devils’ is accompanied by an ear-splitting samba band. Each set of dancers by jovial pipers. The whole procession lasts an hour or more and winds up with a moving maypole attended by male and female young people and topped with an extremely lifelike owl. Back in my retreat space, I can hear the sound of real owls hooting in the forest around me as fireworks resound through the valley.

hermitage procession
Procession to the hermitage of Sant Pau

Maintaining my retreat intention, it seems fitting to join the celebratory mass at the hermitage the following morning. The day breaks cold, gray and rainy and as the same parade weaves out from the town centre, plumes of smoke from fireworks fill the damp morning air. The sinister sound of drums moves closer and closer, the fizz, splutter and bang of explosions creating a stir in the atmosphere. I am reminded of the noise and clatter of Tibetan horns, bells and symbals as the buddhas are summoned for a puja. Up close, it can be an unnerving experience. There is little doubt that the spirits are responding, for when the monks play like this, the room crackles with energy. This morning, two new players have appeared in the throng. A woman and a girl in the same fireproof gear join the head of the procession, but instead of demons in yellow and red, their cloaks are painted in white and blue with angels and doves . Amongst the noise and hubris of bedevilment, they make a calm case for the  peace and innocence.

doves
Triumph of good over evil?

Inside the church, where it is standing room only, I am moved to contemplation. The choirmaster conducts a willing congregation, producing melodic harmonies which rise past the elaborate chandelier to the simple arched ceiling. Outside, the dancers continue the procession, filling the space outside the church with a party atmosphere. A makeshift bar is doing a roaring trade in patatas bravas and beer. It seems that the whole town is here and everyone, from the smallest child to the greyest elder has a costume and a role to play.

correfoc youngster
Everyone has a role to play!

A week later, I walk the same path past the hermitage and out into the vineyards. I am accompanied by three other ‘pilgrims’ on a small yatra, a meditative walk, mostly in silence, to celebrate Imbolc, the beginning of Spring in the Celtic calendar.  Empty shells of fireworks litter the path and along the way we pause to take in the scent of rosemary and thyme growing abundantly in the wayside. All through the fields, the vines are bare, stretched out and prepared for leaves that will soon appear. Warm rays of sunshine have broken through the early mist and we peel off layers as we walk. Pink and white almond blossom, thronged with happy bees, gives pause for reflection.

In challenging times, these resources will create resilience.

Connection to self, connection to each other and connection to nature.

january almond blossom
Almond blossom Imbolc 2017

 

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boodaville-permaculture3web

Boodaville Permaculture in Spain

Boodaville. The name is a play on words, taking itself lightly, but underpinned with intention. This is not a folly. This is wisdom in action. The land is 1.5 hectares of tracks and terraces and trees on the border of Aragon and Catalonia. “Cross the blue bridge and take a left” says Anna Gurney, the permaculture teacher and activist who owns this land and runs the eco-project. Of course we miss the turning, and need to drive ahead some way and turn around.

boodaville-permaculture-catalonia
Boodaville Permaculture Project, Catalonia

All the best places I visit seem to be at the end of a bumpy track. At my home in Holtsfield, we have both a bumpy track (at the front) and a muddy lane at the back. The residents call the back lane “the time tunnel” because it seems, in this tunnel as it does on the track, that time slows down. You slow down. Somewhere between the worlds, a switch is flicked and the magical zone is entered. In this magical zone, anything can, and does happen.

What happens at Boodaville today is a permablitz. A group of enthusiastic people in shorts and sturdy shoes inhabit a newly-landscaped terrace. In huddles of three or four, they crouch, tending the soil, building small hills of compost and thumbing in favas (beans) and small plants of broccoli and spinach. The chatter is multi-lingual, strings of Spanish and English, smatterings of German and Portuguese. A slender woman with an indeterminate accent encourages us, initiates new tasks, and generally keeping things going. Progress is both swift and congenial.

boodaville-permablitz-gardening
Permablitz – a shared permaculture activity

On a higher terrace, a makeshift but functional kitchen is buzzing with life and the aroma of cooking wafts around, making me aware of my hunger. In a sort while, the group will gather to eat a hearty plate of stew and rice with fresh salad leaves and the conversation will crank up into laughter and even song.  But when I mention “hippies” to Anna, her response is dismissive. So where does the inspiration for Boodaville come from?

“It was a silly nickname given to me in my early twenties.” says Anna, a little embarrassed. “The first event we had was a birthday party, which got called Boodaville. Then the next event followed and still got called Boodaville. Then there was the festival…After a few years, it just stuck. So it was unintentional but it sounds a bit like buddha and there are lots of things about buddhas that we like.”

Anna’s modesty is a clue to the ethos behind the project, which is all about community. All of the events, training and workshops are designed to be collaborative and Anna’s long-term plan is that the land will be split between four families, who will live there as an eco-village.
“ With lots of projects, there is one person that is determined to make it happen, and that’s me. I always wanted it to be about permaculture and then I realised how close this community-led approach was to the ethos of permaculture, so it was entirely appropriate. People underestimate how hard it is to get a community project up and running and they often fail before they manage to buy land. Now I feel that having the initial bit done through our courses, activities, buildings, etc, will give the future community a head start.”

On the land, participants drift back to the garden to finish the day’s productivity and I take a look around, walking up the steep hill to admire the view over mountains both near and far. A newly-built cottage in traditional Catalan style will house a floor-full of tired party-goers this evening and the geodesic dome is being prepared for music and dancing.
“We always say that if it’s not fun, it’s not sustainable.” states Anna. It’s important to make sure people enjoy themselves. In order to learn, you have to be emotionally engaged with something – or at least, you learn much better.“

The day’s activities in the garden round off with a small ceremony – a tree planting to honour the life of Bill Mollison, one of the founders of permaculture who has recently died. Bill suggested that if people want to celebrate his life then there could be no action more fitting than to plant a tree, so here we are, holding hands in a circle, moving slowly around so that each of us can splash a symbolic handful of water onto a young almond sapling. I’m amused when the leader of the ceremony invites us to sound an OM together, which we do. Anna, holding hands as part of the circle enjoys the moment as much as anyone, though it somehow runs contrary to her claim of it being a “non-hippy’ environment!

boodaville-permablitz-tree-planting
Planting a tree in memory of Bill Mollison

A couple of weeks after visiting Boodaville, I am inspired to see whether we can pull off a permablitz in our area. I open a Meetup group, which quickly gathers 15 members, some of whom sign up for a day at our property, sharing some activities. The day is even more successful than I could have hoped and we adopt Anna’s model of emphasising a good, long, lunch and plenty of conversation. We get a load of things done and people give each other big hugs when they leave,  talking what they’d like to achieve at the next permablitz! The focus on shared activity, shared food and shared learning makes a container for activity that is permaculture all over. If you haven’t already tried it, my advice is – don’t wait! Find your local permaculture group and pitch in with a project. Time spent collaboratively is good for the soul. You’ll most likely learn something new, share a great lunch and maybe, like me, you might even make some new friends.

permablitz at a property in Spain
Permablitz!
permablitz-lunch-spain
The all-important long lunch

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frack-free-lancashire

Average, Normal People

The recent revelation that Theresa May’s UK government is set to override the wishes of folk in Lancashire and pave the way for fracking in their county. Locals petitioned their council to bar the practice on the grounds that it is potentially environmentally damaging and dangerous and the council agreed. Now the government have overturned that decision and given the go-ahead for exploratory exploration of coal seam gas in Lancashire. This authoritarian, dismissive act started me thinking about a discussion I was having the other day about “average, normal people”

It was early on a Saturday morning after a wedding party and we were having a fry-up in a seafront cafe. I had picked up a newspaper from the ones available at the cafe and it started there. The paper was one I wouldn’t usually read. Its views are pretty much diametrically opposed to mine, but as it turns out, so were my friend’s.

My habit with a weekend paper is to read out an article which has caught my eye and offer my opinion. “Hey!” I say. “Listen to this!” On this occasion, the exchange began with a journalist who thought that offering a help-line after the Archers’ storyline of domestic abuse was namby-pamby. “Who could possibly be upset by that?” he asked. “Surely there are more noble recipients of our sympathy, like soldiers, for instance?” Well I don’t wish to take anything from soldiers, of course, PTSD is a real thing and they could do with more recognition for it, not less. However…

The latest figures show that seven women a month are killed by their partners in England and Wales. 1.4 million women will suffer domestic abuse in the UK this year, mostly at the hands of their (male) partners. if that were a virus, it would be an epidemic. It follows that there must be a huge number of women affected by trauma, sometimes after years of emotional and physical abuse which too often ends in hospitalisation and in many cases, death. I pointed out that the author of the piece was a white middle aged man. I thought it relevant. White, middle-aged men hold a lot of power in the world. Their collective voice is pretty loud. In contrast, the voices of abused women are small and easy to drown out. Like I say, I thought it relevant.

My friend disagreed and took offence. Or rather defence. My feminist analysis clearly touched a nerve and he rejected the idea that patriarchy was a force for the oppression of women. “Patriarchy is an historical fact”. I argued, admittedly taking the bait. I treated him to a brief outline of the ways that patriarchy was evident in modern society – in the system of patrilineage that had rubbed out generations of women from the records and robbed millions of their inheritances; in the fact that men sit at the top of a vast majority of global organisations, hold power in the media, in education, in politics. He argued that we have a female prime minister. I countered that in order for women to hold such a role, they had to play a game of politics defined by machismo and strength. He said he’d rather have a leader strong in negotiations than a wimp.

This week, journalist Zoe Williams said it better than I could when commenting on Donald Trump’s boasting about assaulting women. Although loathe to argue that a female point of view exists in politics, Zoe suggests starting with freedom from violence and reproductive autonomy as good “muster points”. She goes on to point out “A constant eye on the future, a calm assurance that not everything of value can be counted, a love of international co-operation and respect for the institutions it has created, a knowledge that some things are too important to be left to the market, an empathy with the dispossessed : there is nothing essentially feminine about these ideas, yet where no women are, you never hear them.” I wished she had been there to put those ideas before my friend.
Our argument, for argument it was by now, lurched on, until my friend came out with the phrase “Average normal people”. That was it. The voice of Nigel Farage and his Brexit crowing ringing in my ears, I got up and left the cafe.
Outside in the early autumn sunshine, locals and tourists wandered up and down the promenade, enjoying their weekend stroll. I all but collapsed into one of the seafront seats. Tears came. If even my friends think like this, what hope is there? I moaned inwardly. I re-ran the discussion in my mind, trying to come to a place of peace and trying to understand what on earth he, and Nigel Farage meant by the phrase “Average normal people”.

This conversation mattered little. It was just a weekend morning chat in a lazy cafe in Wales, but when the words are uttered by a politician, they matter a lot. By uttering these words, a politician is inferring that you and s/he are the same, which, merely by virtue of their privileged position, let alone the opportunities that probably came about to help them get there, is rarely the case. (I acknowledge there are some notable exceptions to this but they are the exceptions that prove the rule). The language of politicians is designed to make us feel that we are all in the same boat, but we’re not. At least, we might be, but it is only they who have access to the first class suite and the life rafts.

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COTE_DVD_Slick

Earth-Care, Self-Care

Recently, a client of mine made me a wonderful offer. He would stump up the cash to fly me to Australia for the launch of Child of the Earth, a film we made together about the life of activist counsellor, social worker, nurse and educator Glen Ochre. I have to say, I was both tempted and flattered “Go!” my friends said. “It’s part of being a filmmaker, attending the launch!” Well, that’s true, but what if you’re a filmmaker AND an environmentalist. Do you still fly around the world attending every screening just to hear the applause?

It’s a hard call to make, because after the final edit is made and the film has been signed off, those moments of applause might be the best form of feedback you get. To sit in a room and hear people laugh at the funny moments. to watch the tears roll down when the story is sad. These can be defining richly rewarding for anyone who has spent a significant period of their life on a project. Those reactions can stay with you for years. They can help you embark on, stay with and complete the next project. What’s more, in the audience, you might meet your next client, or the person who will produce your next film. So what made me say “no thanks” to this marvellous offer? Why didn’t I grab the chance to meet up with my Melbourne friends and revisit my old haunts? Well, it’s simple. Sometimes, we need to sit still.

In a world of depleting resources and runaway climate change, not to mention stress and over-achievement, we all need to take the time to stop and be where we are. In the recent Brexit vote, a good pal of mine confessed that she voted for Britain to leave the European Union. Her reason, she said, was not to control the borders or to regain access to the money we are supposed to be wasting on European governance. Her reason, she said, was that people need to stay put. This argument was a bit rich, coming from someone who had spent most of her life crossing continents like roads. But I knew what she meant. I mean I KNEW what she meant. I felt it in my heart and in my bones. I, myself, personally, need to sit still for a while.

As a meditator of over twenty years experience, I feel that need often. Those times in my day or my week when only sitting still will enable me to connect with my true feelings, or with others, or with the world around me. Only sitting still will fix the ache in my soul – the one that cries out for approval, or wealth, or notoriety. Only sitting still will make me feel whole. This self-care was also one of the maxims for Glen’s ground-breaking work in group facilitation. So instead of flying around the world to Australia, I set up a meditation Meetup right here in my new home town. I resolved to find some other people who wanted to sit still with me. Together we will sit still for the good of the planet. For the sheer pleasure of it and perhaps most of all, to satisfy our need for connection.

I’m not saying I will never cross continents again, or that I will never travel for work or to see my friends and family. I hope I will. It’s just interesting to know that sometimes, saying “no” can be equally as positive and life-affirming as saying “yes.”

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manuchao

Manu Chao – An Invitation to Dance

I can’t remember when I first heard Manu Chao‘s music, but I do remember when I started to spontaneously understand his lyrics. A performer from France and Catalonia, he sings in many languages including French, Spanish, English, Portuguese and Arabic. I’ve been listening to his music for years, connecting best with the lyrics in languages I understood, which I expect is the same for all his fans. One day after six months of living in Spain, the words entered my consciousness in the way that words start to after a while in a country – bypassing the “what does that mean?” translation and going directly to comprehension. “I understand the Spanish!” I squeaked. “Dia Luna, Dia Pena“, his wistful song about sadness and the moon began to be sung each time we spotted the moon rising over the mountain, or reflecting light over the balmy Mediterranean Sea. “Arriva la luna, ohea!” It’s become a bit of an anthem for our life in Spain.

So when we noticed he was playing in Barcelona as part of the annual La Mercè  festival, we planned to go. We knew it would be busy. A free concert in his home country? It would be packed. Our home is about an hour from Barcelona so we left early, taking a bus into the city, enjoying a walk through the animated streets and taking in the fireworks in La Barceloneta. It was then that my anxiety started, as a mass of people queued to access the Metro that would carry them to the concert grounds. I hate crowds and am quite claustrophobic, but I breathed deeply and pushed on, hoping he would be worth the effort. A friend of mine had already backed out. “I’m a flower” she confessed. “I’m just no good with big crowds.” Crushed into the underground train, I felt like a flower, too. A wilting one. It’s not just the crowds, but the noise, the shouting, the drunken behaviour and not least, the mess. Big crowds remind me of the enormous amount of waste we humans produce. The Spanish are really good with recycling and disposing of public waste, but the bins were overflowing and it brings home how when we move about, we tend to create even more rubbish. At the concert venue, the stage was a speck in the distance, but huge screens showed images of the performers so we felt we could see perfectly. The atmosphere was buzzing. When Manu Chao sang his more famous anthems, the crowd joined in delightedly. They clearly has no trouble getting the lyrics!

During his quieter numbers, I had time to reflect on my inner sense of conflict. The gathering of thousands of people for a music gig is a huge environmental cost. Any personal savings to my carbon footprint – by restricting my electricity use and car use, not taking planes, or reducing consumption is dwarfed by the impact of this gig alone. Flying in the musicians and their equipment, marketing the event, powering the stage and screens, stocking the bars with plastic cups. An environmentalist could argue that gigs like this should be banned. But when Manu Chao hands over the mic to a human rights activist from Mexico, and a banner appears stating “43 Ayozinapa” to recall the 43 young men kidnapped by the police in 2014, I remember how he uses his music to inspire, inform and mobilise. Through his focus on human rights and justice, many people will come to know about issues ignored by mainstream media. I look around at the waving crowd and think how he often sings of what it’s like to be an outsider, an “ilegal”. It’s quite a bonus that he’s great fun to dance to!

The atmosphere of camaraderie he generates throughout his set spills out onto the pavement with us and not even the heavy shower of autumn rain can dampen our spirits. In the queue as we wait for the Metro, someone is trying to get his mate’s attention. “Lend me two euros!”  he begs, but his friend can’t hear him above the noise. “Here you go” offers a man next to him as he smilingly hands over the coins. The crowd close by appreciate the gesture and gives him a cheer and as we jostle down into the subway station, the mood buoyant in spite of the crush and the rain.

The next day, I’m reading how the camps in Calais are to be dismantled and the refugees dispersed. I think of Manu Chao and the lyrics to “Clandestino“. “Perdido en el corazón/ de la grande Babylon/ Me dicen el clandestino/ por no llevar papel.” (Lost in the heart/of great Babylon/ They call me a clandestine/ because I have no papers). I check in with his Facebook page and see the photos from his shows. In Croatia with a “Refugees Welcome” sign; in France protesting against nuclear power; in Switzerland supporting the campaign questioning Monsanto’s human rights abuses; in Brussels over the TTIP – the Transatlantic Treaty
These contradictions surrounding our decisions are something we have to battle with daily and sometimes, the right decision will be to stay at home and not waste any more resources than are necessary. And sometimes, as Manu Chao would say…”Pachamama… te invito a bailar..”(Mother Earth…I invite you to dance.)

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carrefoc8

Midsummer Madness

It’s midsummer and my world is the right way up. Well, sort of.  When I lived in Australia, I could never get used to the seasons being out of place. Christmas on the beach, my September birthday in Spring and yes, June being the middle of winter. It just felt wrong. Now I’ve moved back to Europe the seasons are back in the right place, but in the aftermath of the recent UK referendum, the world seems to have gone stark raving mad. In A Midsummer Night’s Dream, Shakespeare’s characters are victims of a mischievous energy that confuses lovers and makes an ass of an ordinary man.  According to the Oxford English Dictionary, the etymology of the name Puck is related to Old Norse puki (devil) and Welsh pwca (imp), but also has links to ‘unsettled’, like puke. Upon leaving the ‘civilised’ city and entering nature’s wilderness, our characters become disoriented and things appear not to be as they ought to be. The feeling is a little similar in this post-Brexit world. Somehow, the world has been changed, but nobody is yet sure exactly how. We only know that there is mischief afoot.
My midsummer celebrations began in Wales, where the weather was as un-Welsh as it is possible to be. I spent long, warm, sunny days in the beach with my friends and woke every day to blue skies. Bizarre.  I was grateful for the opportunity to get out and walk in the cliffs, to swim in the chilly Bristol Channel and to partake of the odd barbecue, but it couldn’t last, of course, and by the time I was on my way north to visit an old school friend, it was cold and rainy. This did not dampen the spirits in Flash, where the residents of the highest town in England celebrated mid summer with a traditional blessing of the well.

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Well-dressing at Flash, the highest town in England

A custom from medieval times which is said to be associated with the spread of the Black Death, it marks an acknowledgement of the importance of pure water and honours the local source. In Flash, the well was painstakingly decorated with flowers and following the small well-side ceremony, the village takes to the streets in the ‘teapot parade‘. Waving banners and marching alongside a giant papier-mâché teapot, the parade remembers the custom of helping those in need by sequestering funds in the household teapot. As I stood back to take a photograph of the whole scene, a woman spectator reminisced about watching this same spectacle as a child. Her family, she said, could be traced back 700 years in her father’s side and 300 years on her mother’s. Her strong Peak District accent dragged vowels long and clipped consonants short, making disappointed claims that the parade was not as it used to be, when it was an excuse to dress up and for women to get a new hat. I looked down at my jeans, still muddy from the morning’s yomp across muddy moors, and countered that it was great that they still kept the custom at all.

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Residents of Flash celebrate the annual well-dressing and ‘teapot’ parade

In the church, we sang hymns and listened as the vicar gave a reading. He chose the parable of the Good Samaritan where, if you have not heard it, a man who has been robbed and left for dead is ignored by first a priest and then a Levite. The third passer-by, a Samaritan, stops and helps the man, sequestering him at an inn at his personal expense. I had not heard the story read since my childhood, but I remembered being told that the Levite would have been a local person of the same Jewish faith, but that the word Samaritan meant that the person was an enemy, as the Jews and the Samaritans were not on good terms. In the light of the current refugee crisis and the recent violent death of Jo Cox, the tale gained a new poignant meaning, as parables are wont to do, having a timeless moral code embedded in their codex. Even the giant teapot seemed significant, being a symbol of friendliness and neighbourliness in this land where people love nothing better than a nice cup of tea and who rush to provide one at the slightest suggestion of distress. The vicar did not spell it out, but he did take the time to bless those who would be voting in the upcoming referendum.

Back in Spain, I joined in more mid-summer celebrations, but occasionally, the air fell sour with the shock and disbelief of Brits, Europeans, Australians and US citizens. In this atmosphere of multiculturalism and warm abrazos, no-one could understand why the UK wanted a divorce. In my local village of Sant Pere de Ribes, they gathered for the Ball de Diables, where children young and old dress up in devil costumes and hold aloft screaming fireworks in a crazy display of anarchic energy known as a correfoc. Their carnival re-animates the eternal dance between light and dark, between good and evil. Embedded in these ancient traditions is the knowledge that at certain times, we need to be mindful of the uncertainty of our world and of the possibility, always, that mischief will win us over if we only open the door for long enough to let it in.

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jocox

Brexit? No Thanks

For the past three weeks, I’ve been in the UK. It feels like longer than that, with long sunny days spent on the beach with friends, magnificent hikes along the cliff path near my home and cosy nights in my little wooden chalet. When Summer finally arrives here, there’s no better place in the world to be.
I arrived in Britain from Spain, passing through the passport control as a citizen of the European Union. I’ll travel back that way too, but for how much longer? Throughout these three weeks, whilst I’ve been swimming in the calm blue seas of Wales and listening to the chatter of morning birdsong, the rumble of something sinister has been a constant background noise. Whether it’s from newspapers, radio, or just listening to conversations, it’s been hard to avoid the mutterings of Brexit talk. Brexit. What a simplistic, inane word to describe such an important decision. It sounds like a new chocolate bar or a sugary breakfast cereal. The chatter is just as inane, as major political figures try to scaremonger the public into voting this way or that, based on arguments that are about as substantial as the candy floss in the beachfront kiosk. I’ve seen two other recent referendums in recent years – one to decide whether Britain should switch to proportional representation and one to vote whether Scotland should stay part of the UK. Both failed to budge a recalcitrant public out of their comfort zone. We humans, especially Brits, generally like things to stay the same. The trouble with Brexit is that the argument to leave the EU is like an offer to return to some hazy, nostalgic past that even its proponents can’t be sure ever existed.

When I was growing up, one of the popular slogans was “Nuclear Power? No Thanks”. It was such a polite way to decline a technology that threatened to hover its toxic future over our country for generations. So British! Today, as an activists blockade of a nuclear bomb factory turns into a new peace camp, we’re reminded that these threats don’t go away just because we ask them too. Those in charge will keep pushing for what they want and it’s our job, as busy, preoccupied, struggling-just-to-survive citizens, to try to keep one eye on what they’re doing so we can still try and head them off at the pass. Whilst the lies and deceit peddled from Westminster and via the national papers is not hard to see through, it takes some time to arrive at some clarity as to what the story really is. It’s a constant sleight of hand, where the left hand is dealing arms whilst the right hand is waving poppies, or beating a war drum, or pointing a finger at somebody else to distract us. “Look over here!” they scream, and we do, whilst deals are made to dismantle the National Health Service, privatise the woodlands, or sell all remaining national industry to China.

Which is why we need to treasure the few progressive voices in the political area. The ones that challenge the dominant messages defending hatred and war and speak instead of tolerance, compassion and a more egalitarian society. The ones that help us navigate our way through the minefield of shameless politicking and speak from the heart. I was living in Australia when I heard Mhairi Black’s maiden speech in July 2015. I was moved to tears to think that finally, finally, someone was speaking with a reasonable tone about things that mattered. As I hit ‘replay’ to listen again, it crossed my mind that her courage may not be allowed to stand. That her passion may yet be her downfall and that maybe, just maybe, some one would find a way to silence her.

How was I to know just how close that fleeting thought would fly to the truth? The murder of Jo Cox, just a week before the EU referendum, is almost certainly the outcome of her brave stance against racism, her support for Syrian refugees and her campaigning for Britain to remain in the EU. In basing their arguments on immigration and trade, the Brexit campaigners have missed a vital purpose of the EU. Following the horrors of World War Two, it was thought that bringing countries together as trading partners would foster trust and help prevent future wars. It turns out they were right. In 2012, the EU was awarded the Nobel Peace Prize for its role in promoting reconciliation, democracy and human rights. Since the EU was established, there have been no wars between European member nations. Yes, that’s right. No wars. Throughout a region that has historically been in almost constant conflict, there have been no inter-national wars. That’s seventy years of peace and counting and to me, that’s worth a lot of trade, whether in Euros, Pounds or Drachma. In those seventy years, a lot of tomatoes, cheese and wine has flowed between us, but only because we have been at peace.
In the wake of this tragedy, I would prefer the EU referendum to be postponed, but if it does go ahead, a vote to Remain will serve to honour the maintenance of peace in our region, the tradition of sincere, heartfelt politics and the memory of Jo Cox.

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earth-stars

Earth Day

I’ve never thought too much about Earth Day. It seemed like one of those forced opportunities to do something we should perhaps be doing every day, like Valentines Day to show we love someone or Mother’s Day to appreciate our Mum. But then, over coffee the other day, I had a conversation about where the names of the days of the week come from. I was sure I had learned this as a child, and felt it ought not be surprising to hear that they are named for the planets*
I’m living in Spain at the moment, and a lot of my time is spent trying to get my tongue around a foreign language. It often brings up discussion about the meaning of words, so when i heard this, I sat down and went through the days of the week in all the languages I know, to see if the theory fitted. In Spanish, it’s easy to see that Lunes – Monday, is for the moon – la luna. Even in English, Monday – Moonday makes sense, and it follows too in French – Lundi; in Welsh – Dydd Llun; in German – Montag… You get the picture.
Martes in Spanish, for Mars; Miercoles for Mercury; Jueves for Jupiter ; Viernes for Venus; Sabado for Saturn and oh, Domingo? Well apparently Domingo was re-named for Our Lord’s Day – Dies Dominica in Latin.
Try this yourself with languages you know. The days of the week are often the first things we learn, so we don’t have to be fluent to know them. It’s interesting that most languages have followed in some way or another, often taking the local name for the god of that planet – Thor (the god of war and thunder) stands in for Jupiter, for instance, which gives us Thorsday in English but also Donnerstag in German, where donner means thunder.

There are a few anomolies. I like the prosaic Mittwoch (Wednesday) in German, meaning literally mid-week. And I love the Scandanavian Lordag (Saturday), which is from Old Norse laugardagr, meaning washing day.

After the fun and games of testing our language knowledge and our grasp of ancient mythology, one thing stood out. Not one country had chosen to name a day of the week after Earth. Somehow, we clever humans have once again neglected to honour the place that gives us life. This amazing, complete eco-system which is right beneath our feet. So suddenly, Earth Day makes sense. If only we could have one every week.

* I later learned this was the Classical line-up of the planets in Hellenic astrology, which was established around …..and includes the moon and the sun.

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deep-listening-dadirri-crowdfund

Live

Live. or Live. How do you say it? It depends. When your crowd fund goes “live”, how does it feel? I feel relieved. It’s been two and a half years of film-making. Five months of screening, feedback, re-edits and, quite frankily, stress. It’s time to let this baby go.

Will you help her stand alone?

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River-Group-web

Cultural Connections in the Northern Territory

A group of people – adults and children – gather around elder Miriam Ungunmerr-Baumann as she sits by the side of the mighty Daly River in the Northern Territory community of Nauiyu. She is explaining to them about the Aboriginal way of being she calls dadirri, which can be translated as a deep, respectful listening to self, other and to land. “The way that we talk about nature, the universe, it’s kind of poetic and creative way of describing something, because it sustains us as well. When you read a book, you don’t just read the words, you read the meaning of it. What the story’s about. And that gets you really worked up and excited about it. And that’s what the bush is like for us. We read it in detail.”

River-Group-web

The group has gathered as part of the first ever Cultural Connections Tour to the Nauiyu community, initiated by the Miriam-Rose Foundation, an organisation established to further the well-being of the community and especially their young people. Tour organisers Pip Gordon and Nicole Kinnaird were asked to invite people to come and get to know Aboriginal people, to sit with them and learn their ways. Twelve people responded and brought themselves and their families to take part in a week-long experience which included traditional welcome and cleansing ceremonies, dance performances, art-making and weaving. Participant Alyson Goff says has found it life-changing. “I decided to come on the Cultural Connection Tour mainly to immerse our family in the culture of the traditional owners because I think it’s important for every Australian – or anyone – to understand where they come from and to experience the world before us. What I actually ended up getting out of this was more than that. To me, what I take away is that it’s really about your ancestry. Where you come from forms the essence of who you are.”

Miriam-Agnes-web

“Knowing who you are” is one of the main themes of the week. As Miriam and the other elders initiate the group into some traditional Aboriginal culture, they emphasise how important it is that their young people grow up with a firm grasp of their place in the order of things. One of the highlights is a demonstration of traditional dancing. Children from the local school gather excitedly, dressed in red loincloths and with faces, body and legs smeared with white ochre. They perform dance they only recently learned, faces wide with grins and clearly enjoying themselves. A group of men, also painted, provide music and rhythm on clapsticks and didge and members of the community gather to watch, whooping and clapping their appreciation.

“There hadn’t been any dancing for the last 15 years and I’m starting to do this for the young ones”, says Miriam. The Tour group also takes part in a welcome ceremony, something the Aboriginal people have done for centuries to alert the ancestors to the presence of strangers. “We let them know we have visitors, “ explains Miriam, “And ask they might have safe passage through our country.” Despite the stories people love to tell about crocodiles who live in the river, two community members wade into the shallows and one by one, we line up to receive a sprinkle river water onto our heads. This, it is said, carries the scent of each person to mingle with the water, so that part of us is now immersed in the nature of the place.

Participant Andrew Lindsay feels that the trip has begun to answer life-long questions about the country in which he has always lived. “Growing up in this country and identifying as an Australian. Knowing that we’ve only been here a couple of hundred years…and always wondering what was the Aboriginal relationship to the land. To be beginning a personal relationship with someone who embodies that is a really special thing.” This kind of tour is a way for communities like this to earn an income. Miriam feels it’s important to recognise that knowledge exchange is now a currency and that elders should be recompensed for their wisdom. “Our elders are like our consultants. They’re like our encyclopaedias and anything we want to know we ask them. But we’re in the era now of keeping things going, and to keep (our elders) interested in giving that information we have to pay them.”

nauiyu-community-painting

Art, too, is a commodity understood by the community. The Merrepen Arts Centre, established on the community over 25 years ago and now a thriving social enterprise, is known all over Australia for its quality art work. This career path is being opened to the young people and an art sale set up by the school, children exhibit paintings accompanied by a professional-looking certificate of authenticity with an artist bio for each of them. The paintings, of turtles, lizards, waterlilies and butterflies, reflect the local landscape and and are well worth the $10-20 dollar price tags. Between the art and the tours, Aboriginal communities like this are striving to overcome the difficulties associated not only with their remote location, but with poor health and high rates of suicide, particularly amongst the young.

Elder Agnes Page, a trained tour operator, has been working with Miriam to educate young people coming up from the South in the ways of traditional bush craft and medicine that has so often been lost in from tribes in Australia’s south. She tells me that for her, hosting these groups has been an effort to establish something for the next generation. “I want to do it for my children”, she says. “To leave them something they can continue.”

Kristy Pursch, a Tour participant and descendent of the Butchulla trible of Fraser Island, grew up estranged from her culture and although she now works on health projects in Aboriginal communities, saw the Cultural Connections Tour as a way to deepen her understanding of and connection to,  Aboriginal people. Kristy has heard the call of the elders for support for their young people and has arranged to take a young student from the community on a Homestay with her own family back in Coff’s Harbour. On her return from the trip, Kristy wrote down some of her impressions, which I quote here without editing. It seems to me to be a fitting tribute to the elders who so kindly welcomed the Cultural Connections Tour group into their lives.

“A quietness and completeness. Born of love and acceptance.  To sit in the inner stillness of my being. And trust all as it should be. My old ones guide and love me.  And will support me to mother my babies as they… Create their own identity.” Kristy Pursch. 2015.

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